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Anne Enke Enke
Associate Professor

eMail: aenke@wisc.edu
Phone: (608)263-2334
Office: 110 Ingraham Hall

Office Hours: Tuesdays 12:15 - 1:00, Thursdays 2:15 - 3:25

Education: PhD: August 199, University of Minnesota, Department of History; MA: 1992, University of Minnesota, Comparative Studies in Discourse and Society; BA: 1987 Swarthmore College, Religious Studies, Asian Studies.

Bio Sketch:

My specialization is the History of Sexuality

My Research and Teaching Interests include Historical constructions of race and sexuality, women's activism, social movements, feminist, trans, and queer theory.

Selected Publications:

  • "Living With Gender"  Our Lives, March 2008 - "Living With Gender" (pdf)
  • "Toward Transformation: Transgender Studies Perspective in Women’s Studies"
    Women's Studies Quarterly, December, 2008
  • Finding the Movement: Sexuality, Contested Space, and Feminist Activism, Duke University Press, 2007
  • "Troubling Feminism, Troubling Race,” Reviews in American History, 34:4 (December) 2006: 544-550
  • "Smuggling Sex Throough the Gates: Race, Sexuality, and Contested Space in Second Wave Feminism," American Quarterly vol. 55 number 4 (December) 2003: 635-665
  • "Taking Over Domestic Space: The Battered Women's Movement and Public Protest, 1971-1985" in Van Grosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in Recent America. Philadelphia: Temple University, 2003, pp. 162-190

Courses Taught:

Lecture Courses:

  • History 275 - Trans/Gender in Historical Perspective (Topics in LGBT Histories) - Syllabus 2009 (pdf)
  • Gender and Women's Studies 442: Lesbian Cultures in Historical Perspective
  • History 519 - Sexuality, Modernity, and Social Change

Graduate Courses:

  • Gender and Women's Studies 640: Advanced Seminar in LGBT Studies (LGBT Studies Capstone)
  • History 938 - History of Sexuality

Co-author and facilitator of the Mellon Interdisciplinary Workshops in the Humanities:

  • “Reproducing Bodies: Technologies and Ideologies,” ’07-‘08
  • “Bodies and the Production of Perversion,” ’06-‘07

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